There is a kind of asymmetrical divide in India between
people who like and admire Arundhati Roy and those who positively hate
her. I belong to the former and I make
no bones about it. I recently read a
piece where writer and critic Amitav Kumar was in conversation with Roy. It was a fascinating piece in that the
questions were not your usual run of the mill stuff but quite probing and
intelligent. It helps that the person
who is asking the questions also happens to be a very perceptive writer and
critique in his own right. But in my
mind I kept thinking what is it about Arundhati, this petit and gracefully
ageing lady that continues to arouse such strong emotions in this country? So much so that even though I have enormous
respect for her as a writer and a public intellectual, I tend to avoid
discussing about her in a gathering, not because I can’t, but because the kind
of vile things that would be said about her will be highly intolerable to me,
that’s why I escape. I suspect part of
the reason behind this outrage by a large sections of the middle classes could
be that she doesn’t conform to any of our preconceived notion of celebrity hood
in this country. She is not part of the
charmed circle where you feed off and feed into the illusion of India having
become the superpower of the globe; she doesn’t coddle us with tired clichés
about human rights and democracy.
For her these
are just the non-negotiable starting point towards the larger question of the
idea of justice, without which any society would implode. Her polemics on big dams and the possible
ecological disasters, her ceaseless advocacy of the rights of the tribal and
all the other marginalized sections of this land who have fallen by the wayside
in our march for development and her uncompromising stand against any country having
nuclear weapons never mind India, has shattered the carefully constructed certainties
of the elite and middle classes brought up on a heady dose of material development
and aggressive nationalism. She is your
party pooper, a rain or your parade if you will. And nobody likes that. Just to think it could all have been so
different. When she won ‘’The Booker’’ prize
in 1997 as a luminously beautiful 35 years of age, the world was at her
feet. She could have churned one
bestseller after another, could have been part of the jet setting literary
circuit. But she spurned all of that and
not only has she not written another novel since, but she launched herself full
throttle into taking up lost and unpopular causes. For many this decision of her has been nothing
short of betrayal. It really takes courage
to go against the grain, swim against the tide of history. Roy is neither an armchair critic nor does
she lives in her own Ivory Tower. She is
a remarkable woman. She lives a pretty
lonely existence in her Zor Bagh apartment in South Delhi; in fact, she doesn’t
even employ a housemaid. But she refuses
to be part of the narrative of victimhood.
She travels extensively throughout the country. From the distant North
East to the Narmada valley of Gujarat, from the heavily militarized zone of
Kashmir to the hotbed of Maoist insurgency in the dense forests of central
India, our very own heart of darkness, constantly engaging with the people at
the receiving end of the tyranny of the Indian state. She amplifies their struggle in a uniquely
mesmerizing prose of hers. I may not
agree with her all the time but I salute her courage to court unpopularity and
gaze unflinchingly at the sordid and the unpleasant.
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